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TUSAYAN GRAY WARE DESCRIPTION: CORE: Construction: by coiling. Fired: last in reducing atmosphere. Color: light gray to dark gray (sometimes almost black with carbon) Carbon streak: fairly frequent in some types, but generally characteristic. Temper: abundant quartz sand, from medium fine to very coarse; occasional opaque fragments, gray or tan; occasionally feldspar grains in some types; temper usually conspicuous. Vessel walls: medium strong to weak. Fracture: crumbling. Surface finish: most types roughly scraped, not smoothed, not polished, usually pitted, scraping marks conspicuous; exterior surface plain, corrugated, tooled applique; no true slip on any type, but sometimes a fugitive red wash (Lino Fugitive Red). Surface color: gray, blackened. Fire clouds: common only on Kiet Siel Gray. Vessel Forms: jars, bowls, pitchers, dippers. Decorative techniques: manipulation of surface clay or application of paint to the surface. Decoration: painted on Lino Black-on-gray only. Paint: dull black, occasionally brownish if thin, smudged surface rare. Pigment: Rare. RANGE: Most types occur over a large area which includes northwestern New Mexico, southern Utah, and northeastern Arizona. A few types are localized.
COMPARISON: Lino Gray-jars with plain vertical neck, not out-flaring; plain body. Kana-a Gray-jars with vertical neck with wide annular fillets; body plain. Tusayan Corrugated-neck out-flaring, body corrugated. Moenkopi Corrugated-neck out-flaring, body corrugated, indent or clapboard partially obliterated. Kiet Siel Gray-neck out-flaring, body plain. TUSAYAN GRAY WARE TYPES --> KANA-A
GRAY
--> MOENKOPI
CORRUGATED |
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