The Rhetorical Appeals

 

Writers of text use various strategies to appeal to their audiences. The three means by which writers persuade their audience are pathos, ethos, and logos:

 

Pathos: appeals to emotions, seen through:

*      Sensory description of a scene

*      Honorific and pejorative words (often adjectives and adverbs, but also similes/metaphors and labels that characterize something as “good” and “bad”)

*      Examples or anecdotes

*      Objects of emotion (people, pets, ideas, symbols, etc. that have emotional connotations

                                                               

Ethos: appeals to audience’s view of the speaker and subject. A writer uses the persuasive value of his/her character. He/she creates the impression that he/she is a person of sound sense, high moral character, and benevolence/good will.

*      Exhibit good sense:

*      Have an adequate, if not professionally erudite, grasp of the subject being talked about

*      Know and observe the principles of valid reasoning

*      View a situation in the socially acceptable and audience sensitive perspective

*      Read extensively about the issue (and other related issues)

*      Demonstrate good taste and use discriminating judgment

*      High moral character:

*      Display an abhorrence of unscrupulous tactics and specious reasoning

*      Respect commonly acknowledged virtues

*      Integrity must be adamant

*      Good will

*      Display a sincere interest in the welfare of the audience

*      Sacrifice any self-aggrandizement that conflicts with the benefit of others

 

Logos: appeals to reason. A writer uses logical reasoning such as inductive and deductive reasoning (refer to rhetorical analysis hand out), definition, evidence from other sources, expert testimony, etc. to appeal to the readers.

*      Definition: defines or classifies the subject

*      Deductive reasoning: can either be a syllogism or an enthymeme

*      Syllogism: consists of major premise (all humans are mortal beings), minor premise (Eminem is human), and a conclusion (Eminem is a mortal being)

*      Enthymeme: a syllogism in which one of the premises is suppressed or assumed. The enthymeme shows that tentative conclusions lead from probable premises.