Bibliography for Archaeology of Rock-Art: last updated August 26, 2002 (note: if anybody can figure out how to get MS-Word to let me format this properly and consistently, I would love to hear about it)

See also: http://www.helsinki.fi/~alahelma/biblio2.html by Thomas Dowson & Andrea Stone

And internet links at

http://jan.ucc.nau.edu/~kah2/rockart/rockartlinks.htm

Australia ICOMOS (International Council on Monuments and Sites)

1996 Charter for the Conservation of Places of Cultural Significance (The Burra Charter)

http://www.icomos.org/burra_charter.html

Bahn, Paul G.

1986            No Sex Please, We’re Aurignacians. Rock Art Research: Journal of the Australian Rock Art Research Association 3(2):99-120.

Chaffee, Scott D., Marian Hyman, and Marvin W. Rowe

1993            Direct Dating of Pictographs. American Indian Rock Art 19:23-30.

Chippindale, Christopher, and Paul S. C. Taçon, editors

1998            The Archaeology of Rock-Art. Cambridge University Press, Cambridge

Clegg, John

            1983            Recording Prehistoric Art. In Australian Field Archaeology: A Guide to Techniques, edited by Graham Connah, pp. 87-108. Australian Institute of Aboriginal Studies, Canberra, Australia.

            1991            !Pictures and Pictures of…  In Rock Art and Prehistory: Papers Presented to Symposium G of the AURA Congress, Darwin, 1988.  Edited by Paul Bahn and Andrée Rosenfeld. Oxbow Monograph 10, Oxbow Books, Oxford, UK.

Crotty, Helen, editor

1989            Preserving Our Rock Art Heritage: Proceedings from the Symposium on Rock Art Conservation and Protection. American Rock Art Research Association, Sam Miguel, California.

Diaz-Andreu, Margarita

1998            Iberian Post-Paleolithic Art and Gender: Discussing Human Representations in Levantine Art. Journal of Iberian Archaeology 0:33-51.

Dorn, Ron I.

1991            Rock Varnish. American Scientist 79:542-553.

Faulstich, Paul, editor

1997            Rock Art as Visual Ecology, American Rock Art Research Association, San Miguel, California.

Francis, Julie, and Lawrence L. Loendorf

2002 Ancient Visions: Petroglyphs and Pictographs of the Wind River and Bighorn Country, Wyoming and Montana. University of Utah Press, Salt Lake City.

Frederick, Ursula K.

            1998            Cape York to Cairns: Reinventing Meaning in Contemporary Aboriginal Art. In Redefining Archaeology: Feminist Perspectives, edited by Mary Casey, Denise Donlan, Jeannette Hope, and Sharon Wellfare, pp. 205-214. Research Papers in Archaeology and Natural History 29, PSPAS, The Australian National University, Canberra, Australia.

Getty Foundation

1991            Rock Art Site Protection and Management Course, various course materials.

Harry, Karen G., Evelyn Billo, and Robert Mark

2001 The Challenge of Long-Term Preservation: Managing Impacts to Rock Art at Hueco Tanks State Historical Park. American Indian Rock Art 27:151-159. American Rock Art Research Association, Phoenix.

Haviland, William A., and Anita de Laguna Haviland

1995            Glimpses of the Supernatural: Altered States of Consciousness and the Graffiti of Tikal, Guatemala. Latin American Antiquity 6:295-309.

Hays-Gilpin, Kelley

2000            Beyond Mother Earth and Father Sky: Sex and Gender in Ancient Southwestern Visual Arts. In Reading the Body: Representations and Remains in the Archaeological Record, edited by Alison Rautman, pp. 165-186. University of Pennsylvania Press, Philadelphia. 

Hedges, Ken

1976            Southern California Rock Art as Shamanic Art. American Indian Rock Art 2:126-138.

2001 Traversing the Great Gray Middle Ground: An Examination of Shamanistic Interpretations of Rock Art. American Indian Rock Art 27:123-136. American Rock Art Research Association, Phoenix.

Helskog, K. & B. Olsen, editors

1995 Perceiving Rock Art: Social and Political Perspectives. Instituttet for Sammenlignende Kulturforskning Oslo

Hesjedal, Anders

            1995    Rock Art, Time and Social Context. In Perceiving Rock Art: Social and Political Perspectives. edited by K. Helsog and B. Olsen, pp. 200 - 206. Instituttet for Sammenlignende Kulturforskning, Oslo.

International Council on Monuments and Sites (ICOMOS)

1988            The Australia ICOMOS Charter for the Conservation of Places of Cultural Significance.

Kehoe, Alice Beck

            2000            Shamans and Religion: An Anthropological Exploration in Critical Thinking. Waveland Press, Prospect Heights, IL.

Leroi-Gourhan, Andre

1968            The Evolution of Paleolithic Art. Scientific American, February:58-70.

Lewis-Williams, J. D.

1981            Believing and Seeing: Symbolic Meaning in Southern San Rock Paintings. Academic, London.

1991            Wrestling with Analogy: A Methodological Dilemma in Upper Paleolithic Rock Art Research. Proceedings of the Prehistoric Society 57:149-160.

1995            Some Aspects of Rock Art Research in the Politics of Present-day South Africa.” In Perceiving Rock Art: Social and Political Perspectives. edited by K. Helsog and B. Olsen, pp. 317 - 337. Instituttet for Sammenlignende Kulturforskning, Oslo.

Loendorf, Lawrence, Linda A. Olson, Stuart Conner, and J. Claire Dean

1998            A Manual for Rock Art Documentation. National Park Service and Bureau of Reclamation.

Meehan, Betty

1995            Aboriginal Views on the Management of Rock Art Sites in Australia. In Perceiving Rock Art: Social and Political Perspectives. edited by K. Helsog and B. Olsen, pp. 395 - 315. Instituttet for Sammenlignende Kulturforskning, Oslo.

Morphy, Howard, editor

1989            Animals into Art. Unwin Hyman, London.

Mowaljarlai, David, and Cyril Peck

            1987            Ngarinyin Cultural Continuity: A Project to Teach the Young People the Culture, Including the Re-painting of Wandjina Rock Art Sites. Australian Aboriginal Studies 2:71-78.

Mowaljarlai, David, Patricia Vinnicombe, Graeme K. Ward, and Christopher Chippendale

1988            Repainting of Images on Rock in Australia and the Maintenance of Aboriginal Culture. Antiquity 62:690-696.

Parkman, E. Breck

1997    Pomo Concepts of Power, Spirit, and Place.  In Rock Art as Visual Ecology, edited by Paul Faulstich, pp. 7-19. International Rock Art Congress Proceedings I, American Rock Art Research Association.

Roach, Mary

1998            Ancient Altered States. Discovery: the World of Science 19(6):52-58.

Schaafsma, Polly

1985            Form, Content, and Function: Theory and Method in North American Rock Art Studies. In Advances in Archaeological Method and Theory 8, edited by M.B. Schiffer. Academic Press, New York.

Sullivan, Sharon

1984            Mootwingee Conflict and Cooperation at an Australian Historic Site. In International Perspectives on Cultural Parks. Proceedings of the First World Conference, Mesa Verde National Park, Colorado.

1985            Aboriginal Site Interpretation: Some Considerations. ACT Heritage Seminars 3:11-22, Canberra, Australia.

Teit, James A.

1896            A Rock Painting of the Thompson River Indians, British Columbia. Bulletin of the American Museum of Natural History 8:227-230.

United Nations Educational, Scientific and Cultural Organization

1962            Recommendation Concerning the Safeguarding of the Beauty and Character of Landscapes and Sites.  Proceedings of the General Conference of the United Nations Educational, Scientific and Cultural Organization, Paris.

Vastokas, Joan M. and Romas K. Vastokas

1973            Sacred Art of the Algonkians: A Study of the Peterborough Petroglyphs. Mansard Press, Peterborough, Ontario, Canada.

Vinnicombe, Patricia, and David Mowaljarlai

            1995    That Rock is a Cloud: Concepts Associated with Rock Images in the Kimberley Region of Australia. In Perceiving Rock Art: Social and Political Perspectives. edited by K. Helsog and B. Olsen, pp. 228-246. Instituttet for Sammenlignende Kulturforskning, Oslo.

Weeks, Rex

2001             Indirect Percussion: Fact or Fiction? American Indian Rock Art 27, edited by S.M. Freers and A. W. Woody, pp. 117-121. American Rock Art Research Association, Tucson.

White Deer, Gary

1997            The Return of the Sacred: Spirituality and the Scientific Imperative. In Native Americans and Archaeologists: Stepping Stones to Common Ground. Edited by N. Swidler, K. Dongoske, R. Anyon, and A. Downer, pp. 37-43. AltaMira Press, Walnut Creek, California.

Whitley, David S.

1994            Ethnography and Rock Art in the Far West: Some Archaeological Implications. In New Light on Old Art: Recent Advances in Hunter-Gatherer Rock Art Research, edited by David S. Whitley and Lawrence L. Loendorf, pp. 81-93. Institute of Archaeology, Monograph 36, University of California, Los Angeles.

1998            Finding Rain in the Desert: Landscape, Gender, and Far Western North American Rock-Art. In The Archaeology of Rock-Art, edited by Christopher Chippendale and Paul S. C. Taçon, pp. 11-29. Cambridge: Cambridge University Press.

1999   Rock Art Report to ICOMOS (written in 1996); e-mail post to Rock-Art Digest on March 31, 1999.

Whitley, David S., editor

2000            Handbook of Rock Art Research. AltaMira Press, Walnut Creek, Calif.

York, Annie, Richard Daly, and Chris Arnett

1993            They Write Their Dream on the Rock Forever: Rock Writings in the Stein River Valley of British Columbia. Vancouver, Talonbooks.

Young, M. Jane

1988            Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art.  University of New Mexico Press, Albuquerque.

Womack, Mari

2001            (review of Alice Beck Kehoe’s “Shamans and Religion”), Anthropology Newsletter, American Anthropological Association, March issue.